In school, I dreamed of becoming an actress or a singer. However, my parents opposed what they considered a "frivolous" profession so we agreed on TV and radio journalism. During my third year at university, the Revolution of Dignity unfolded. I began live-streaming from Maidan, learning firsthand from some of the most respected journalists of that time. It was then that I realised: "This is journalism. This is my path — to be where it’s most intense, most dangerous, and where history is created."

Since the onset of the war, the central theme of my work has been the military and the portraits of those who voluntarily chose to defend their country. These individuals were, in essence, former teachers, artists, farmers, and veterans. I believe it is crucial for Ukrainians to see themselves represented and to take pride in their identity.

This work presents numerous challenges. Ensuring personal safety while filming in combat zones is paramount. The proliferation of drones has further complicated matters; their presence often renders filming significantly more difficult or even impossible. Additionally, meeting audience expectations necessitates continuous development. Even compelling stories or strong personalities can fall flat due to limited resources, funding constraints, or the absence of dynamic visuals. While content remains crucial, the form it takes has become an increasing concern.